Day 13. Music from a game you don't like. Legacy - Devil may Cry 5
Alright, now, before anyone gets too heated, I recognize that a good number of folks took this day as "music from a game that wasn't fun and good." For me, though, I'm choosing to take this as "this is a fair, quality game, but it doesn't mesh with me
personally." DMC is a fine series, but, from what I've tried of it, I've just never been able to get into it. It has some good music, though. I've heard a bit of it floating around, and sad, somber violin is something I'm a sucker for. Songs that aren't great as
songs but try to get Deep (TM) with their lyrics are also, I admit, one of my musical guilty pleasures, especially when it comes to ones that are tied to a specific work or character.
Day 14. Music Featuring Vocals. The Edge of Dawn - Fire Emblem: Three Houses
This has actually proven one of the hardest picks so far. There's actually quite a number of videogame songs with vocals that I think are spectacular, a fair number coming from games I've played myself and an even greater number coming from doing research for Mario's Boombox. And, I mean, in complete fairness, I link this version, but I think the reason I've fallen hard for the Edge of Dawn comes down to two covers - and they're by artists I covered in the section's run, actually! FamilyJules did a grand job with his
cover of the song, and it's the one I tend to think of first and foremost. But what really hooked me on the song and kicked me down a path of eventually getting Three Houses and making it my first Fire Emblem game was this lovely
Orchestral Cover, made all the way back when we only had a portion of the song and a trailer to go on. It felt so suitably epic and intense, though, that I was impressed out of the gate. It made me
feel like Fire Emblem had something special to it, and that's before Koops started really showing me what it was all about as a series!
Day 15. Boss Battle Music. Final Battle Music - Mario & Luigi: Partners in Time
This is a rare instance where I actually like the music better when it's
separated from its context. Did this need to be the theme of Elder Princess Shroob? No. It didn't really fit there, not properly. This is a theme of sacrifice, and regret. This is not the theme for the ending of PiT. Am I immensely jealous that it is, because it could be
spectacular as the final boss music for some indie game that actually builds up to a somber, reflective ending? Yes, yes I am. I just really like the longing here, the feeling of regret, the feeling that this isn't a battle you
want to win, not a battle anyone even wants to have, but that it's one that must be had nonetheless.