It's a Mario movie that focuses mainly on Mario
A lot of the time, some say that if there are more Mario characters other than Mario, they would say that they would rather pick them other than Mario. Some may even think that Mario hardly have much character. I understand the sentiment, but I still think Mario is still a solid pick because he's a personable character, showing some fun character.
The film is what I wanted because it puts Mario in the spotlight more than Luigi. It's true that Luigi gets some focus, but Mario gets more of the focus and his rise to heroism and showing a lot of character and performing a lot of things to solve the problem within the film. Mario shows some successes, but he's also got some hilarious failures like when he's fails the training course. The games might not necessarily allow Mario to say or emote much (Super Mario Odyssey is probably the biggest game with the best expressions, while Fortune Street has the biggest volume for dialogue), so the film allowing Mario to have both is wonderful.
By the by, while Chris Pratt might not be well-liked for Mario, I didn't think of him when Mario is voiced. Then again, I have no attachment or grudge against him, so I have no expectations.
The grand scale of the worlds
One of the things the Mario film does wonderfully is to give every scenery a great sense of scale. The games might have a bit of it but the smaller screen might not be able to convey much details. However, the movie is littered with details that make the worlds feel more alive than ever. The first reveal poster, which shows Mario standing against the Mushroom Kingdom, indicates that the film will have a lot to take in. It does make the characters feel smaller (e.g. Peach's Castle feels smaller in the games, but it feels bigger in the movie), but that's to the benefit of making it fit the big screen, and they are really taking advantage of that.
It's not just the Mushroom Kingdom that has the benefit of the scope: even Brooklyn gets the treatment, and it's great to see Mario's hometown get such a touch up in making it feel alive, more than New Donk City and its uniform citizens achieve (even if it's intentionally designed that way). Even on Bowser's end, the party with the many troops lend itself to making the area feels bigger when it's fitted with lots of them, as well as when his army gather at the penguin's ice castle.
The colours also add a lot to making it a visual treat that Mario has never been before, where they are so great to look at.
Excellent translation for the characters on the big screen
The character designs were revealed last year, and they aren't as bad as some fan art speculated they might look. In fact, they fit the characters decently, and Mario is surprisingly still kind of cute here, as well as his poseable plush. Every character chosen are true to their originals while giving just enough detail to not become too uncanny. So like Mario still has his recognisable facial features, but his detailed overalls and clothing still looks good on Mario. Characters also emote very superbly, stretching their faces in ways the games rarely do (Mario Strikers: Battle League might have been the recent game that stretched the faces to be highly expressive).
This extends to the characterisation of the characters. Their basic traits are still present, such as Mario being a very determined and willing to help those in need, or Luigi's more cowardly but loyal character. Even the villains kept their own traits, like how Kamek is still supportive of Bowser despite the abuse he gets, or how Bowser is very fearsome if he's reached his raging point. Some people didn't feel Cranky is well-portrayed, but I didn't quite see the issue. The only thing is that they could have kept the relationship between Cranky and Donkey Kong two generations apart like how the games tend to portray them, but maybe they changed it for simplicity. Speaking of Donkey Kong...
Donkey Kong's inclusion
Before the September 2021 direct where more of the film was revealed, I feared that the Mario movie would be traditional Super Mario Bros. where the Mario brothers rescue Princess Peach from Bowser like how the games tend to do, which to me is not a very interesting thing for Mario on the big screen. Thankfully, the voice cast reveals that Donkey Kong is going to be there, which means that at least Donkey Kong will make the movie different. And my, did it deliver!
For one, Mario gets to visit the jungle kingdom where the Kongs reside, so it's not just Donkey Kong that we see, but some of his fellow Kongs like Cranky Kong and Diddy Kong (briefly). Mario even gets to fight Donkey Kong, and the latter is even shown to be able to effortlessly beat Mario if he's got nothing on his side like the games (e.g. Mario loses a life if he touched Donkey Kong in Mario vs. Donkey Kong), so he needs some resources to help him, and he took advantage of Cat Mario's abilities to get the upper hand.
And then Donkey Kong gets to participate in world-saving where he teams up with Mario. They may have their disagreements and banters, but they are still quite amicable with each other. Like how Donkey Kong acknowledges Mario saving his life gracefully, and how Mario commends Donkey Kong for his resourceful vehicle. Plus, we got to see the rare powered up Donkey Kong variant where he gets a Fire Flower! Their friendly rivalry is a great highlight, and
even Miyamoto is surprised by how well they work together.
Besides Donkey Kong, the other Kongs even play a big role where they develop karts to drive through the Rainbow Road, so the Kongs aren't just a bit role.
The presence of Mario's family
It's unfortunate that I was spoiled on the fact that Mario's family is shown in this movie. Regardless, I love that he has a family in this movie, because a lot of video game protagonists aren't known for having parents, much less one where both of them are still alive and are loving. It's very unusual for classic characters to have them, as not even Mickey Mouse have it, and Superman is known for having adoptive parents instead.
As a bonus, every member of the Mario family is designed well! The mother is the biggest highlight because she is a cartoony woman and that is a healthy portrayal for the Mario universe. This is due to how if there is a human woman character, they have a doll physique so the portrayal is not very enticing. Fan art generally fails at that, preferring to make them doll-like and doesn't inspire much confidence in me. Mario's father brings to mind Talon from Legend of Zelda, but I don't think he's inspired by that character, more that they have the same source (Talon's design is based on the design that Nintendo didn't show off), and he's also designed well! He's not exactly Mario but sharing resemblance to Mario is good for a family character. The uncles resembling Luigi is funny and I approve of this, showing that it's generational (so maybe Mario's sons might resemble him and his brother?).
I hope Mario's family get to appear more! They look like fun people and gives Mario a sense of family that is healthy for a protagonist. More than ever, I hope Mario's mother appear in the games or official art, to basically make it official that yes, Mario's mother is a cartoony woman.
A chance for Mario to shine while Luigi gets captured by the villain for him to rescue
One of my wishes is answered in this movie, and I am glad that they went with it! At last, we have a story where Luigi is not only kidnapped, Mario is the one who ends up rescuing Luigi. This is much more significant because it allows room to show what Mario is made of, in the absence of Luigi. He is shown to have a resolve to make sure his brother gets rescued, which I admire because of how often Mario is treated as abusive by fans (they are wrong in this opinion, but I don't think just saying this may change their minds). And as a bonus, Luigi is kidnapped as himself! If Luigi were kidnapped wearing a Peach dress, it downplays the whole thing because it means that Luigi is not the one who is desired to be kidnapped (and it makes Luigi the rescuer anyway, like in Super Mario Adventures).
Some may say "but Luigi is kidnapped before and Mario rescues him!", which is technically true, but the events before this move are relatively insignificant compared to what happens in this film. To explain a few examples:
- Super Mario Galaxy: Mario rescuing Luigi is a simple mission rather than an end goal, so it never have much of an impact.
- Super Mario 3D Land: Similar to the previous game where it's only a mini-mission, whereas he gets many reactions to Peach's postcards in this game prior to the single World where he was informed of Luigi's kidnapping. It is merely a vehicle to unlock Luigi.
- Paper Mario: The Origami King: The game has a few times where Mario rescues Luigi from any predicament, but it is treated as a running gag instead of something serious.
- Super Mario World 2: Yoshi's Island: It's not quite a true "Mario rescues Luigi" because it's them as babies, and besides, Yoshi is the rescuer.
- Mario Tennis Aces: Probably the most significant game of the lot where Mario rescues Luigi, but it is hampered by the character-light story and because tennis games aren't taken seriously typically.
Now compared to some of the games where Luigi rescues Mario:
- Luigi's Mansion: There is a recurring urgency in which Luigi has to rescue Mario, especially after it's revealed that Mario is helplessly trapped by King Boo. Notably in this game, he gets to yell Mario's name to signify worry, and is the biggest game where Luigi's main characteristics are manifested and carries over to future games.
- Luigi's Mansion 3: The idea that even Peach gets invited to a haunted hotel is to give Luigi clout by showing him rescuing everybody on his own. He is spared by the plot like how he is the last one to be targeted by King Boo and that is when he's not sleeping. He's even saved by Polterpup in a last ditch effort from being trapped in a painting, while the others got trapped the second time.
- Mario & Luigi: There are three games where Luigi cannot swap out for Mario in specific moments: Superstar Saga, Bowser's Inside Story, and Paper Jam. In all three games, it is clear that they are meant to give Luigi the limelight. In fact, Luigi gets to showcase a lot of character by being on his own, whereas Mario never got the same treatment in those games and he's usually only alone in the tutorial (to which is not a chance for him to show his character).
In other words, Luigi has been fleshed out often and has more heroic deeds in brother-rescuing, and besides, the film eventually allows Luigi to shine. Mario hardly have his chance to shine in terms of brother-rescuing, so it's fair that he gets to do it in a big way for once. In other words, those who claim Luigi got done dirty probably didn't see the big picture (especially if a Luigi's Mansion film would eventually make Luigi become the rescuer again).
Great music score
It's strange... I feel like I didn't really catch the music for the film most of the time except for a few instances, so it only take me to listen the music in isolation to recognise and admire how great the music is. I really love the main theme for the movie, which fits the epic narrative of the film!
In fact, the music fitting from games given them a more epic feel befitting for the cinema. Some inclusions are very surprising, like Mario Kart 8's menu theme. The licensed themes didn't feel out of place, so for example Mr. Blue Sky near the end gives off the assumption that the Mario brothers were back in Brooklyn, so it's surprising to see that they actually moved into the Mushroom Kingdom.
Inclusion of Easter eggs and unexpected characters
I'm grouping these together as some form of surprise inclusions.
Anyway, some characters are unexpected, like Mario's family, but there are others that I totally did not expect. King Bob-Omb is one such surprise inclusion, as with Mario Kart King Boo. The former even gets to contribute by a logical end. In terms of Easter Eggs, I admit that I hardly notice much of them unless someone points them out, but one thing I like is the Punch-Out Pizzeria where it's littered with Punch-Out stuff, and how Mario plays Kid Icarus (which might insinuate that it is not a shared universe with that game, unlike possibly Punch-Out).
The Mario rap at the beginning is very fun, and while it's a fun call-back, it's very clear that not everybody sees it as a masterpiece, some even criticising for how cheesy and low-quality it is. Maybe that's how some fans feel about it (not me: I love it even if it's not quality stuff!).
The urgency of the situation
The film makes it clear how much of a threat Bowser is. Established early on, Bowser is able to effortlessly take down an entire kingdom of ice, and he even makes it clear that he means business when he threatens the penguins and even Luigi with harm. He is not very forgiving either, because he plans to use captured people or characters for his ritual, which he doesn't see as a big deal, so in other words he's rather unsympathetic. I guess his soft side for Peach is helpful for the heroes, but it's very clear that if Bowser wants something, he will get things done his way.
This makes the film more gripping, and is especially cathartic when Mario eventually gets to one-up Bowser with the power of the star at the end, with the help of Luigi to help him when no other character (not even Donkey Kong!) is able to subdue a Bowser that's completely at his rage-breaking point, only requiring an invincible Mario and Luigi to weaken him in a state that allows him to be defeated.
As a bonus, the Mario brothers are much better treated by the Brooklyn folks, especially Mario who is treated like dirt, more than Luigi is. I am glad that Mario gets the treatment because it's more interesting for Mario to be the underestimated one than the umpteenth time that Luigi is underestimated in the games.
The Nintendo-Illumination collaboration pays off big time
(As of 23/4/2023)
When
Nintendo first revealed that they are officially working with Illumination back in February 2018, there were a lot of sceptism, since Illumination has a reputation of making cheap-looking films with low-grade humour. At best, it would be merely profitable enough and that's it. For me, I didn't think it was a big deal, especially learning that other studios aren't the best fit for Nintendo like how Disney and Pixar have an affinity for original or public domain works instead of a licensed one.
It takes a downturn when the voice actor cast is revealed, especially when it's shown that the video game cast won't be voicing their respective characters. Charles Martinet returns among them, but is not the voice of Mario and Luigi (he gets symbolic ones though, their dad and a guy named Giuseppe). It's pretty much when the film's first reveal happen that opinions start to change for the better, cumulating to the film's release, where it's managed to generate a lot of box office. Not only did it manage to beat Warcraft's box office in a short time, it's even up there with some of Disney and Pixar's best ones! It's not released in Japan yet, but it's on track to be a billion, which is impressive because no other video game adaptation managed to achieve this record, much less an animated one.
The Mario movie sets some historic records, and it's very cathartic to see.