Magikrazy said:
Nice list, but as far as what Justin song to put on there, I would have gone with Suit & Tie over Mirrors.
I'll definitely have to check out the ones that I haven't heard (which there are a lot of).
"Mirrors" was a suggestion given to us by Scarecrow when he was contributing to the list. It certainly had the biggest impact and feels like his most ambitious project, so we ran with that. "Suit and Tie" is still wicked, tho.
Nabber said:
just curious, if King Kunta was the top song of the year (i think stooben put it as that in one of his past issues), then how come it's Blacker the Berry that's on this list?
"King Kunta" was Scarecrow's second favourite song of 2015, and was initially suggested by him. Me and Stooben thought "The Blacker the Berry" was the best track on the album, tho, so we ran with that.
Nabber said:
also, seeing Lorde on the list, what're your opinions on 400 Lux? i think it's the best song from the album, though i'm unable to actually listen to it because it makes me too sad lol
I adore basically all of
Pure Heroine, as limited as her pool of lyrical subjects is thus far. It makes me excited to see her evolve as an artist as she gets older and experiences a lot more. As for the list, the choices were either "Royals" or "Tennis Courts", but we figured "Royals" was the more recognised track, so best to run with that.
GalacticPetey said:
Warning. The theatre geek in me is gonna go off on a tangent.
I'd like to start off by saying I love the sheer variety in artists and genres here. It's a great and diverse list. I do feel like the genre of musical theatre was left out. I completely get it. Not a lot of people listen to Broadway cast albums. At the same time, there is some great music in shows like Book of Mormon, Waitress, Fun Home, and of course Hamilton.
I'm not upset about it. It's your list after all. I wasn't expecting there to be much of this style anyway.
Theatre is more a medium rather than a genre, and I feel like putting just a few tracks from broadway musicals would be a disservice to the massive medium. It occupies a similar space as classical to me; beautiful and perfectly valid, but feels like it deserves to be analysed distinct from "popular music".
Would a Best Theatre Songs project be something you'd personally be interested in doing? It would certainly give theatre the detail and attention befitting of how broad the medium is, and you'd certainly be far more educated than me or Stooben.